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1. #NATIVE INSTRUMENTS KOMPLETE 7 CONTENTS MOD#
2. #NATIVE INSTRUMENTS KOMPLETE 7 CONTENTS FULL#
3. #NATIVE INSTRUMENTS KOMPLETE 7 CONTENTS SOFTWARE#
4. #NATIVE INSTRUMENTS KOMPLETE 7 CONTENTS SERIES#

The Shift, Scale, Arp and DAW transport buttons are joined by additional DAW controls (see the 'DAW Compatibility' box). This would be very useful indeed, but it's not the case. The button's 'TS Mode' subscript suggests to me that you could use the Touch Strip (TS?) to set the velocity to whatever value you want. Curiously, there's no means of fixing velocity to any other value. Joining the Octave Shift buttons on the left panel is a Fixed Vel/TS Mode button, which sets key velocity to 127. This is especially advantageous on the 88-note model, which has a lot of empty real estate where small devices can be placed, such as additional control surfaces they're far less prone to slipping around on the matte finish than the brushed metal. There's cosmetic improvement to the surface of the top panel this is now entirely in a matte finish, as opposed to the brushed metal of the MkI. Interestingly, the option to turn them off appears to have been removed from within KK. The lightguide has also changed the LEDs are narrower now, making the distinction between each note clearer - and subsequently having less glare than those on the MkI, which although impressive were bright enough to light up a small studio and could be distracting. It would have been better placed vertically next to the wheels, or even above them. All too frequently the strip can jump in value, even when your hand is in close proximity, resulting in unexpected sound changes or volume jumps.

#NATIVE INSTRUMENTS KOMPLETE 7 CONTENTS MOD#

When operating the pitch or mod wheels, it's hard to avoid touching the strip unless adopting the classic 'apple under the hand' position. This strip is constructed differently to those on the MkI, replacing the previous glossy affairs with a matte-finish shallow indentation very close to the edge of the left panel it's also highly sensitive - and therein lies a problem. The Touch Strip concept hasn't been entirely abandoned, though - one (freely assignable) horizontal strip is positioned below the wheels. Moog got it right all those years ago, and I for one prefer wheels for those tasks to any other device. The next significant change - a distinct improvement as far as some are concerned - is the replacement of the pitch and modulation Touch Strips with traditional pitch and mod wheels. Hence the first major change on the MkII: two HD colour screens (more on which later) replacing the MkI's text-based LEDs. The MkI succeeded in this to a point, but still required frequent referral to the screen in order to select which instrument to load into the KK software, and to see that instrument's list of preset names. The principal objective of the KK controllers is to minimise the need for the mouse and computer screen. The 25-, 49- and 61-note synth-action models have been around for some months now the review specimen in front of me is the newest 88-note weighted keyboard version. This review focuses on the new features of the updated MkII S series.

#NATIVE INSTRUMENTS KOMPLETE 7 CONTENTS SOFTWARE#

The KK software has undergone various enhancements since then, but the principles remain the same. For more details on NKS and the KK software, check out Simon Sherbourne's January 2015 review of the S49.

#NATIVE INSTRUMENTS KOMPLETE 7 CONTENTS FULL#

In order for third-party VST instruments to take full advantage of the KK paradigm, they must be NKS compatible the growing number of developers adopting this standard is indicative of how thoroughly NI have infiltrated the market and mindset of musicians and developers the world over. The innovative lightguide - LEDs embedded above each key - provide colour-coded information on playable key ranges, scales and keyswitch positions. Whilst control of virtual instruments from hardware knobs and buttons isn't new per se, the KK hardware/software combination takes this much further, providing visual feedback of key parameters on the keyboard itself and using eight rotary encoders for hands-on control of those parameters. The NKS (Native Kontrol Standard) protocol is at the core of the Komplete Kontrol concept, whereby the keyboards communicate bi-directionally with instruments via NI's Komplete Kontrol (henceforth KK) software application.

#NATIVE INSTRUMENTS KOMPLETE 7 CONTENTS SERIES#

Native Instruments' Komplete Kontrol series of keyboard controllers has been around for nearly five years now, having proven very popular - notably amongst studio musicians who work with NI's Komplete series of virtual instruments. The S88 MkII offers a high-quality weighted keyboard and even tighter computer integration.